Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.
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'Until Shiloh Comes' Cosmic Flow Tapestry

Publication Date: 12 September 2018 (Historical archive at archive.org)

Penelope’s completed tapestry is an of-the-essence message, a timely arrival of the Odyssey and the overlooked, timeless and immense power of the vast and mightily moving River of golden Song that reveals an epiphany across millennia to this very moment about true identities. It does this in more profound ways than anyone could have imagined besides the creators of the art: those gorgeous “perpetrators” of culture and the divine themselves, all at once loved and morbidly shut off. As one will see in this artistic and feminine message, the movements and alterations, like those of Hermes in the Homeric "Hymn to Hermes," the skeleton key left by Homer, the flipping and breaking open of worlds and the intense acts of creation are necessary at the toppling, beginnings, and nurturing of new worlds—and the identities astounding.

Penelope creates the tapestry for the lineage of those who loved the female line of Hermes, and for the return of his direct descendants; She makes the tapestry for Odysseus’s father, Laërtes, the former king upon the return of the king who restores the line; This tapestry is for Laërtes:  Bob Weir and the Grateful Dead, Mickey Hart, Bill Kreutzmann, Phil Lesh and Jerry Garcia and all the members living and passed, and for the tribe of like-Beings who urged me to remember and to write; It is the weir where the Flow breeches its ancient barrier and the Song is broken open.

The tapestry is the eternal weave shown in the books Coyote Weaves a Song: A Mythological Song from the Beginning of Time, Volumes I and II and My Love Affair with Moonbeam:  Ten + Years of Wonder, Bursting Love and Creativity.

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