Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.
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New Article on La Madeleine Concordance: "Come Try It On": My Relationship with John Mayer--Paradise Valley

In 2008 Taylor fed a story to People Magazine entitled "Taylor's Stalker Moment with John Mayer." This year, 2023, she got People to delete it (it's permanently archived on archive.org) and publish instead an altered "relationship timeline" with untrue bias: There was no intimate dinner in Nashville with only a few friends--there were over 15 people in a group and John was there to play with Keith Urban. Taylor Swift would have never had any personal information about John Mayer without the internet, his music, and his social media. He was kind to the obsessive teenager, but on guard. He was aware she was already copying and marketing herself as others--what she learned from her father and bought marketing as the way to go, and it was working. That invasion into his personal life and copying him as if there were a relationship and feeding stories to the press is why he deleted his social media in 2010, to get her to stop personally and professionally invading and trying to force that public. She was marketed as a young Faith Hill even plagiarizing Faith's album covers, but she needed a love story. For power and control, she would also have in reserve the personality to slam that person when they didn't comply. That narcissistic pattern works. It has worked for over fourteen years. John Mayer is completely innocent of the accusations of "Dear John"--abuse to gain control over him and his career. There was never a flirtation, never a romantic relationship. It was manipulation. Katy Perry even made a public appearance with him in 2009 the night before the infamous VMAs to ward off the untrue public threat. In 2010 the lyrics of "Dear John" were taken directly from what Taylor had found on-line: my writing to John (some permanently archived) and from what was available of John. What has continued is many years of lies, copying, and harassment. I am coming forward because it is the right thing to do for John. A very beautiful bond became apparent between John and me in 2010 in communicating online, and that sent Taylor into a jealous and hateful rage. I am the reason she went for the public kill.

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My Relationship with John Mayer--Paradise Valley

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