Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.

News — Cathedral Rock RSS



'Upon This Rock'

  After Willa Cather published The Professor’s House in 1925 which contains her “Tom Outland’s Story” about the cultural grounding treasure (and not its surface monetary value) to be known of the realization of the feet upon the immense cliff rock at Mesa Verde—its ancientness, strength, and formidability undaunted by human thought, and wrote a letter back to F. Scott Fitzgerald about writing the ineffable cause internally of the feminine that had to be expressed, she knew she would take this to its realization, the embodiment—in herself and in creation to give solidity to Presence of what was not yet understood or even thought about the truer possibilities of American culture rooted in and from that feminine. In an interview...

Continue reading