Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.

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FROM BREAKFAST AT TIFFANY’S TO IN COLD BLOOD: WILLA CATHER, EDITH LEWIS, AND TRUMAN CAPOTE’S PERSONALITY DISORDERS

Upon Willa Cather’s passing her life companion Edith Lewis was dealing with something more than Truman Capote’s plagiarism of Willa’s works. Truman’s proclivity to abuse was going further over the line than that even in the early years and would become more persistent and assuming as the years passed despite Edith’s efforts to ward him off in public perception without drawing overt attention to the problem, just awareness and protecting Willa and the nature of the literature. As far as the public could see, that wasn’t much of a problem in that Truman was making sure that he was the most famous person with the identity of ‘writer,’ certainly a free landscape to enter, and his presumed connection to Willa...

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WHOSE RELATIONSHIP WAS IT ANYWAY?

The distilled ardor, the astonished, silenced respect, hangs in the air as Willa Cather describes her “A Chance Meeting” with “’Caro’ of the Lettres à sa Nièce Caroline,” Flaubert’s niece whom he raised and of whom he wrote. For Willa what was so unexpectedly happening in this auspicious encounter was laden with the immensity of her own childhood literary personal history looking back at her, speaking to her. They had this shared childhood in a summit of literature, and here now was the little girl, now as an old woman who had lived that reality in the very home of Flaubert as the works were being written, and an eloquent and learned Caroline, too, a help in that. Willa, who had...

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