THE HERMES IN BREAKFAST AT TIFFANY’S is happening in reality to set a wrong right. The world-altering artist tricksters are in full view. They are always necessary when freedom and spiritual abundance have been closed off. It started with a concocted lie about John Mayer brewing from 2008 from a young plagiarist in the music industry with hired marketers and publicists from a capitalist's investment. Already ‘The Best Year of the Millennium’: From a 2024 New Year’s Eve Breakfast at Tiffany’s Cat Bar in Japan and Anderson Cooper’s Times Square Infectious Giggle, We Culminate on a Note First Discerned in the 1960s at Truman Capote’s Self-Entitled ‘Party of the Century’ (and Anderson Was There—In the Womb) . . . Not to Mention that Truman’s Last Word on the Matter, His Last Word, was a Story Written about Willa Cather Intended for a Birthday in October 1984—The Moment Katy Perry was Born. Read On, Party-Goers, and Get Ready for the Holidays!
Your cart

News — Paris When It Sizzles RSS

A Sunset Boulevard Christmas

A Sunset Boulevard Christmas

To see what happened in the novella Breakfast at Tiffany’s being plagiarism from prophetic, world-altering art and the transformation of this to the alive, effective dynamism of the movie that still ignites us with Audrey’s spirit, one has to see the movie in the light of what was known by the creators in that moment as they demonstrated it in the movie and the follow-up Paris When It Sizzles (1964), and why Truman Capote subsequently would say that Breakfast at Tiffany’s “made him want to throw up” (“'My mother was like a steel fist in a velvet glove': the real Audrey Hepburn” The Guardian 19 November 2020). We can look at the high humor of what was created making light of a dark, manipulative, self-centered situation where...

Continue reading