THE HERMES IN BREAKFAST AT TIFFANY’S is happening in reality to set a wrong right. The world-altering artist tricksters are in full view. They are always necessary when freedom and spiritual abundance have been closed off. It started with a concocted lie about John Mayer brewing from 2008 from a young plagiarist in the music industry with hired marketers and publicists from a capitalist's investment. Already ‘The Best Year of the Millennium’: From a 2024 New Year’s Eve Breakfast at Tiffany’s Cat Bar in Japan and Anderson Cooper’s Times Square Infectious Giggle, We Culminate on a Note First Discerned in the 1960s at Truman Capote’s Self-Entitled ‘Party of the Century’ (and Anderson Was There—In the Womb) . . . Not to Mention that Truman’s Last Word on the Matter, His Last Word, was a Story Written about Willa Cather Intended for a Birthday in October 1984—The Moment Katy Perry was Born. Read On, Party-Goers, and Get Ready for the Holidays!

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California and Finding the Very Real in Place

I was at The Grove Farmer’s Market in Los Angeles last Wednesday seated at a covered colorful bistro table in the afternoon amidst all the bustle talking to John Mayer when the urgent news came up that Liam Payne had just fallen in Buenos Aires. It was John’s birthday. I had gone off on my cute, sleek 2010 black Vespa to explore Los Angeles on my own, (he can’t very well go with me without making the news and that is not what is wanted that way for a number of reasons—this isn’t trading on fame, this is lifting things to a whole new level), so I was out to feel it for myself, in Roman Holiday freedom—in the very wild traffic,...

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Artistic Forms and the Delivery of State of Beingness and Place

The miracles in the artistic creation I have mentioned briefly before: groundedness and different rootedness in actuality of Place—its deeper truths, its reality—deeper than convention as Eudora Welty shows, miraculously delivering truth. The next is forms of delivery that get closer to the state of Being by moving away from ‘situation,’ plot, excessive detail, the ‘furniture,’ it opens the further dimension that it points to: it creates the setting, the atmosphere for it to appear. Willa saw these cultural deliveries in opera, legend, painting, religion, shifting from forcing action from words to the actual effect. There is also what is already potently known of the 'Old World' as in French literature. With these Willa could come closest to the delivery...

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Can Careful Art Deliver Beingness?

Willa Cather moved to the forms of art that would get to the actual transference and the true desire of art without those cultural or artistic boundaries—and in that the Being itself and the vitalness of the art would be the cultural structure, not by-passed in missed direction. Seeded in the strongest, most vital, individualistic earth, and grow her beyond the boundaries into Beingness was the ancient and the newly-realized complete strength and freedom of life itself.

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Speaking Out

Liam Payne was very kind to me and I owe him this in speaking out about the all-encompassing, overwhelming pain he was feeling before his passing. Maybe I’m the only one who can speak against the narcissism because I’ve experienced it and watched it happen as a cultural state for a long time. I’ve written a great deal about it, but I never expected it to happen to such a beautiful young soul and for Liam to be vulnerable to getting hurt so badly. Fame, money, and power have seemingly become what is most important in our lives and economy, and not for the better. We have one man down. It's not okay.We have okayed narcissistic abuse to insidiously call...

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'Upon This Rock'

  After Willa Cather published The Professor’s House in 1925 which contains her “Tom Outland’s Story” about the cultural grounding treasure (and not its surface monetary value) to be known of the realization of the feet upon the immense cliff rock at Mesa Verde—its ancientness, strength, and formidability undaunted by human thought, and wrote a letter back to F. Scott Fitzgerald about writing the ineffable cause internally of the feminine that had to be expressed, she knew she would take this to its realization, the embodiment—in herself and in creation to give solidity to Presence of what was not yet understood or even thought about the truer possibilities of American culture rooted in and from that feminine. In an interview...

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