Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.
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John Mayer & Taylor Swift: Things That Appear to Be True that are False, Things That Appear False that are True

John Mayer & Taylor Swift: Things That Appear to Be True that are False, Things That Appear False that are True

The way that Taylor Swift could make it appear true that she had had a relationship with John Mayer with never having been seen on a date, holding hands, kissing, in the back of a car together as with Jessica Simpson or Jennifer Aniston, or any of the photographs one might expect before it was considered true, and even while John was saying and showing something completely different, was that it was embedded in things that were true, and the false stuck in-between, just as Teodolinda Barolini describes of what is happening between Virgil, Dante, and the Demons in Inferno, Canto 21 in the Eighth Circle of Hell. 

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John Mayer and the Feminine Labyrinth

John Mayer and the Feminine Labyrinth

John Mayer’s love life was in a landslide in 2010, thirteen years ago. It was protected by love.   It just so happens that the Divine Comedy is set on Easter Weekend 1300, on the Thursday before Good Friday, and I just happened to be front row, center, standing right in front of John Mayer on Easter Weekend right on that Thursday and April Fool’s Day in April 2010 in Vancouver BC. (The Cosmos has a sense of humor, even when it’s about to put you through further Hell.) 

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Those in Taylor Swift's Hell, Stuck in a Repeated False Past, Can't See the Present Moment

Those in Taylor Swift's Hell, Stuck in a Repeated False Past, Can't See the Present Moment

Mayer fans have cried and walked beside John through Born & Raised when he had taken the space and time to deliver a soul-searching masterpiece (and still wanting to know what happened to Walt Grace on his Submarine Ride); they found the hope of love, freedom and promising new horizons in Paradise Valley with him (even visited Pine Creek Lodge in 2021 to help with a flooding), took up The Search for Everything, even when it meant alone with only the Poet to guide on an open unknown road, and found the wildest blue in Sob Rock, arriving at an inner realization of the pain and not-knowing making it all not only worthwhile, but supremely freeing and beautiful. Healing and sublime. In other words, they’ve lived their...

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