Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.

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Taylor Swift Forced a False Relationship with John Mayer to the Press in 2010: The Beginning Circles of Hell

Taylor Swift forced a false relationship with John Mayer to the press in 2010 and in the process showed how she was copying John's relationship with Jennifer Aniston, his social media, and his writing while also plagiarizing and taking on the personas of Faith Hill, Joni Mitchell, and author and illustrator Ian Falconer's "Olivia" in order to make herself into John Mayer's "Something Like Olivia" from his Born & Raised album in 2012.

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A Coalescence of Miracle Particles: The Very Real Obscured by Taylor Swift for the Past Decade [Updated]

This article was last updated 20 April 2020. January 2020 expose: "A Coalescence of Miracle Particles: The Very Real Obscured by Taylor Swift for the Last Decade [Updated]". These updates refer to the fact that Taylor Swift was responding to me in real time as I edited and published this expose from January 2020 to 20 April 2020, adding her responses by the day as notes in brackets. Taylor Swift took the idea for her “Blank Space” from John Mayer's lyrics of "A Face to Call Home," written to me, as she has of most of his songs and every step he has taken in the last twelve years, out of her need to hit out at something that did...

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