Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality to break open a wrong. The world-altering artists are in full view. They are always necessary when freedom and spiritual abundance have been closed off and not 'allowed' to be spoken, as Homer showed in his epic song, rumor holds over the eternal artistic voice until it can be internally known. In brief, Penelope is the only one who speaks it and moves on. It started with a concocted lie about John Mayer brewing from 2008 from a young plagiarist in the music industry with hired marketers and publicists from a capitalist's money.

IN COLDER BLOOD PRESS KIT — One of Ours RSS



PRESS KIT ADDENDUM: LINE BY LINE COMPARISON WILLA CATHER’S ONE OF OURS TO TRUMAN CAPOTE’S IN COLD BLOOD, OVER 100 PAGES OF EXAMPLES OF A STUDY OF VERY CLOSE SIMILARITY

The difference is the eternal voice and the one who cannot see and misleads for selfish gain. “Late in the morning Claude found himself alone before the Church of St. Ouen. He was hunting for the Cathedral, and this looked as if it might be the right place. He shook the water from his raincoat and entered, removing his hat at the door. The day, so dark without, was darker still within;… far away, a few scattered candles, still little points of light… just before him, in the grey twilight, slender white columns in long rows, like the stems of silver poplars. The entrance to the nave was closed by a cord, so he walked up the aisle on the right,...

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IN COLDER BLOOD PRESS KIT ADDENDUM: HOW TRUMAN CAPOTE PLAGIARIZED HIS 'MASTERPIECE' FROM WILLA CATHER

IN COLDER BLOOD: HOW TRUMAN CAPOTE PLAGIARIZED HIS 'MASTERPIECE' FROM WILLA CATHER ARTICLE PDF DOWNLOAD When Truman Capote saw the NY Times headline in November 1959 of the murders of the Clutter family of Herb, Bonnie, Nancy, and Kenyon in Holcomb, Kansas that would become his book In Cold Blood, he was not thinking of the family that had just been executed in their home or the even the killers, although all of it was immediately appealing. He was thinking of himself. His immediate phone call to The New Yorker was because he recognized the elements of an opportunity that matched what he was looking for with very specific criteria that also matched the level of sensationalism he desperately desired. 

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