Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.

Invisible Friends


When I was a very little girl, before John Mayer was born, I lived in a very strict religious environment in Amelia, Ohio. I wasn’t allowed to see television, listen to a radio, or look at billboard signs on the highways. I taught myself to read from the Hebrew Bible because they showed me my name there and I wanted to be able to read it. And like Joan of Arc was accused of in her trials, I was also not allowed to wear pants or any “boy” clothing, nor ever cut my hair. The only pop music album I was allowed to own but told I could only listen to one side of it was Neil Diamond’s single “Shilo". (The B-side was “Red, Red Wine” which also happens to be in the verse about my name.)

Neil Diamond’s song “Shilo” is about an imaginary friend:

“Shilo, when I was young —

I used to call your name

When no one else would come,

Shilo, you always came

And we'd play ...”

I first came to know John on his Battle Studies Tour in 2010 in the moment when he asked at an ASCAP Expo for people to write him more honestly on Tumblr in April. We had seen each other for the first time just a few weeks earlier at his show in Vancouver.

I was overwhelmingly compelled to reach out to him in the hurricane onslaught of the media reprimanding him for flamboyantly deflecting false stories being pushed to the press by a young, manipulative, press-hungry Taylor Swift.

John had, in kindness and sensitivity, offered the duet of “Half of My Heart” to Taylor, extending an offer of friendship and to give her reason to stop copying on-line and pushing suggestions of wanting a relationship with him to the press. When John and I began communicating on-line, I became her target to copy what I wrote in letters to John. Her bullying continues to this day.