Books of the Southwest presents THE HERMES IN BREAKFAST AT TIFFANY’S happening in art and reality (and a false reality presented as relatable, sellable biography with no actual truth) to break open that wrong in self-realization for a monumental, global cause. The world-altering artists are in full brilliance and action. As literature shows, they are always necessary especially when freedom and spiritual abundance is threatened and not communicated in the eternal-breaking-through consciousness and Being way, as Homer showed in his epic song, manipulative and cheap rumor (publicists feeding tabloids with a false "conversation" with the public who naively believe they are listening to a 'close, reliable friend'). This comes from an awareness in 750 B.C. and back further. The eternal artistic voice is always internally realized in immediate truth, then just as immediate in the "here and now." Penelope, as the state of internal Beingness, the eternal of her in her (body) "chamber," is the one who speaks the difference of Beingness, which is the opposite of Narcissistic Personality Disorder that defines a very limited, blind culture and existence. It is only a "repetition" of what is heard and not true being fully alive. This escalation of untruths began coming to the challenge of consciousness with a pre-meditated concocted lie about John Mayer in October 2010 brewing from 2008 from a young plagiarist bought entry into the "music" industry with hired marketers and publicists from a capitalist's greed, but with no powers of creation or original content, only repeating what she saw around her and calling it her own. This is the test of the value of art for freeing a culture.

My Love Affair with Moonbeam: Ten + Years of Wonder, Bursting Love and Creativity

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Here in these pages are the lived moments of a remarkable decade of transition, writing, and creating: the photographs, personal blog posts, letters, creation process, and literary articles that brought about the wildest of discoveries of art, artists and the acts and ancient poetic blueprints of transforming life and culture and revealing true identities, inner character and destinies that I write about in Coyote Weaves a Song: A Mythological Song from the Beginning of Time and show the weave of in the art print 'Until Shiloh Comes': Cosmic Flow Tapestry.


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480 Pages, Full Color + B/W Photographs

Paperback: 480 pages
Publisher: Books of the Southwest; First edition, Published on September 11, 2018
Language: English
ISBN-10: 0692933301
ISBN-13: 978-0692933305
Product Dimensions: 8 x 1.1 x 10 inches

Soft cover, 480 pages of full color & B/W Photographs

Here in these pages are the lived moments of a remarkable decade of transition, writing, and creating: the photographs, personal blog posts, letters, creation process, and literary articles that brought about the wildest of discoveries of art, artists and the acts and ancient poetic blueprints of transforming life and culture and revealing true identities, inner character and destinies that I write about in Coyote Weaves a Song: A Mythological Song from the Beginning of Time and show the weave of in the art print 'Until Shiloh Comes': Cosmic Flow Tapestry. This is the living of them inside the process and their coming to bursting, full, unimaginable life. It is also the communication which was part of the discovery and sustaining of an extraordinary recognition with another human being, John Mayer, which began in an immediate, deeper cognizance, a “knowing” in seeing someone and there is no time or space and as if there never has been; a knowing—there he is, and what seemed to be melts away to the realness. It is also a connecting with one’s Being through the creative process that brings it to unfathomable life. These pages are a selection of the things I wrote to John beginning in the spring of 2010.

The time here is encompassed in the expanse of a decade sustained by an eight-year relationship with a white lightening Love beam, a burst of wonder of a Bichon Frise named Moonbeam, and in his passing, understanding finally the fullness of what is shown. Moonbeam passed on September 13/14, 2015. The 13th was the last day I saw him alive, and he passed when I went to pick him up the next morning, when I arrived, but before I could see him. In a series of unending extraordinary occurrences, this happened during the time I was writing about Michelangelo’s Sistine Ceiling and about Dante’s Divine Comedy. Dante’s own passing is also written as the unmistakable September 13/14, 1321. In a most astonishing note beyond more unimaginable correlations, both thirteen and fourteen days after Moonbeam’s passing, on September 27 and 28, 2015, was the phenomenal display of the red Super Blood Moon coming brilliantly across the night sky for all the world to see. In the next couple of weeks it was this excruciating pain of his passing that made me notice as I looked at the Sistine art work the white dog moving on the Sistine Chapel walls, even in motion coming out of a fresco and stepping down to the Pope’s “throne,” and realizing the significance of the white dog star Sirius, the transition before the Sun, moving to the arrival of the goddess Isis to her usurped throne. This is the book of years, experiences and communication that was leading to these extraordinary happenings and discoveries.