A VERY SPECIAL GIFT, A CHRISTMAS ALBUM OF MY DAD, RAWLYN RICHTER II

YOUR GIFT, LISTEN NOW TO FULL ALBUM

THE HEIST. le braquage. la rapina. Featuring Audrey Hepburn, Katy Perry, Willa Cather, Sean Ferrer, Luca Dotti, Emma Ferrer, and sculptor Desirée Pucci. FRANCE. ITALY. THE AMERICAN SOUTHWEST. Francia. Italie. Italia. le sud-ouest américain. il sud-ovest americano.

Featuring Audrey Hepburn, Willa Cather, Emma Ferrer, Thomas Pucci, John Mayer, Katy Perry, Ed Sheeran, Andy Cohen, Patti Smith, Justin and Hailey Bieber, Kim Kardashian, Bob Weir, Lily Collins, Rihanna

Author Lewis Hyde in his book [Trickster Makes This World] shows how the divine trickster’s creations become prophetic; this happens in how they are created. That’s how the Sistine Ceiling has worked from Michelangelo, and his Pietá. It looks like it is made about the past, but suddenly it’s coming true now, and forever true.

Eternal truth is a gorgeous, gorgeous thing.

That’s part of the miracle of THE HERMES IN BREAKFAST AT TIFFANY’S, that it is a visible coming together in answering the prophetic of the art, the artists born to it, born to open up the barriers barred of consciousness, like Banksy, disallowed in a wonderful sense of play.

Audrey Hepburn had to take that liberty. She knew she had to.

Willa Cather did it in her own works and left the Hermes signs of it as the “road markers” showing the path she had taken in breaking open art to divine reality. You can find it in her works and in her photographs and careful letters. Otherwise, what she was doing was “forbidden” and artist and female writers “can’t go there”—the divine art of their own Beingness showing each other, touching eternity because they could see it.

Audrey followed her own spirit, deep intuition, and her natural-born effervescent joy and sprite energy and purposefully opened back open a creative pathway, born and shaped by cosmic circumstances to it, and thus also with her spirit making the work she created come true again in alive and numinous ways, and then it can be seen that it remains eternally true and fits right in to a perfect cosmic design with what is happening right this moment to bring about a magnificent breaking through of a different plane—PUREST LOVE—for humanity.

It’s been a very long time coming, in no space and time at all, in artists taking their birth-right freedoms to bring life to its fullest.

I started tapping into this as a child because I knew my name was a prophecy, but I also understood how being a girl (in the Hebrew Bible) and having that name meant that if anyone ever found out what I saw, it held the very deep truth of changing everything.

I lived with that very weird juxtaposition that I discovered at about 4 years old when I read my name in Israel’s Jacob’s words, and also the circumstances surrounding me in how extremely harshly invasively restrictive it was to be a girl.

I was driven to understand the structure where the feminine seemed an appendage instead of the life-giving inspiring force of a dead and blocked culture, and knowing the prophecy was the way of that deepest life and death shift of structure.

And so I had the dilemma as a little girl with a pure heart told I was bad, and holding hope for humans that also seemed daring, what it all meant was a trick to be played on those who wouldn’t allow me to be valued or have true place as a girl. It was a weird combination of wanting to do the right thing, and seeing how that path would have to go.

In all this time of writing and never stopping discovering I could see and show how the artists were born to it, born to open up thousands of years of art that was speaking.

And every single time I looked, an extraordinary perfection would show itself. And so I kept on writing through this all, and that’s what this is: showing the miracles breaking through in the artists and their art.

A romantic and magical glimpse into the literary and cinematic historic blocks of Greenwich Village of Washington Square Park from 1920 to 2010 where I stood there knowing I was falling in love with John Mayer, and about to come to see into what Willa Cather dreamt into incarnation there from her stories “The Bohemian Girl” and “Coming, Aphrodite!” and Audrey Hepburn saved them and gave us the gift of Breakfast at Tiffany’s to open all these decades later, as if it is just now happening, her spirit so alive in her grace and humor. And then the gorgeous cosmos unveiling its play of this into realness across time and space with all these paths meeting into the expression of art and the feminine and what happens when that playful radiance is seen breaking through. All the while an unimaginable chorus of goddesses were transforming the symbols of art and culture to realness and to seeing their exquisite depth of beauty to inspire us all.

A very special thank you to Willa Cather, Audrey Hepburn, and her family, Emma Ferrer, Katy Perry, Ariana Grande, Selena Gomez, Lady Gaga, Her Royal Highness Queen Camilla, Her Royal Highness Catherine Princess of Wales, Duchess Meghan Markle, Julia Roberts, Cardi B, Beyoncé, Madonna, Stevie Nicks, Joan Baez, Bette Midler, Hailey Bieber, Maggie Rogers, Penelope Cruz, Kate Hudson, Marion Cotillard, Rihanna, Alicia Keys, Sarah Jessica Parker, Patti Smith, Dua Lipa, Demi Lovato, Sheryl Crow, Naomi Fry, Maren Morris, Jennifer Lawrence, Jennifer Aniston, Courtney Cox, Lisa Kudrow, Nicole Kidman, Jennifer Lopez, Miley Cyrus, Dolly Parton, Reese Witherspoon, Nicki Minaj, Kiernan Shipka, Faith Hill, Billie Eilish, Carrie Underwood, Miranda Lambert, Tiny Fey, Amy Poehler, Olivia Wilde, Kim Kardashian, Gigi Hadid, Drew Barrymore, Kendall Jenner, Kylie Jenner, Kris Jenner, Gwyneth Paltrow, Sabrina Carpenter, Amanda Seyfried, Emma Watson, Anna Wintour, Mindy Kaling, and to many more.

Dame Joan Sutherland, Soprano, sings "I Dreamt I Dwelt In Marble Halls"
from the opera The Bohemian Girl

Special Thanks To and Permissions From: John Mayer, Bob Weir, Andy Cohen, Anderson Cooper, Katy Perry, Justin Bieber, Hailey Bieber, Orlando Bloom, Dead and Company, Ed Sheeran, Sean Hepburn Ferrer, Luca Dotti, Emma Ferrer, Thomas Pucci, Harry Styles, Kiernan Shipka, Sarah Jessica Parker, and many, many more

VIVE L'ORANGE RÉSISTANCE D'AUDREY HEPBURN ! LES ACTIONS ÉTERNELLES D'AUDREY HEPBURN POUR GAGNER LE MONDE et sa mise en œuvre

Special Thanks To and Permissions From: John Mayer, Andy Cohen, Anderson Cooper, Katy Perry, Justin Bieber, Hailey Bieber, Orlando Bloom, Dead and Company, Ed Sheeran, Sean Hepburn Ferrer, Luca Dotti, Emma Ferrer, Thomas Pucci, Harry Styles, Kiernan Shipka, Sarah Jessica Parker, and many, many more of the all-inclusive pronoun “We.”

This video is premiered on the date to match this cataclysmic spiritual cosmic alignment from 577 BC, from the 1960s, and from 1993 and Audrey’s passing, the wings unfolded to the exact sextiles of Pluto, Neptune, and Uranus, with Saturn Neptune, the water and the flood, conjuncting in the exact middle of those cosmic opened wings and on the exact beginning of the zodiac, and on this 7 September 2025 Total Lunar Eclipse at 15˚ Pisces, the same, now strengthened eclipse of the release of John Mayer’s Continuum that same week on 12 September 2006. With this release we are now between the eclipses, in that altering “between the worlds,” where things are fluid and changed, and the coming solar eclipse at 29˚ Virgo on 21 September, direct opposition the Saturn Neptune conjunction, all on the public world axis, breaking open the immensity of that exact position and the intuited possibilities that we were first alerted to in 2010 becoming real from the dream we each held, what we knew of ourselves and couldn’t say, and now in this moment having given our lives to it for fifteen years, but truly for all of us, since childhood dreams and determinations of something quite different and filled with wonder. May love be broken open the planet over.

Touch the miracles.

How Audrey Hepburn gorgeously and brilliantly subverted humanity's worst narcissistic abuses from the destruction of WWII to America's negligent reliance on narcissism as fame and power.

And by purposefully opening the masterful female author Willa Cather's precognizant feminine vision across a globe, Audrey was actually working in real elements of enchantment, not just Hollywood.

Transcription:

From Audrey's Roman Holiday that set love and freedom in the midst of culture and honor, to Willa's narrative Death Comes for the Archbishop that opens the transformation of Catholicism from Rome

to the American Southwest through the artistic and feminine for "the beginning of momentous things," my discovery of what Audrey did in her divinely humorous, rebellious acts against subterfuge came from seeing what Willa had done before her . . .

in defying coercion and deceptive control for the realness she knew within herself that first and foremost is the grounding and formation of existence, and thus the life-grounded basis of culture, religion, politics, economics, education, and from which they most beautifully can grow and be truly alive and inspired.

Willa Cather's writing takes on the cultural foundations, the underpinnings of thought, and transforms them into the possibilities of different outcomes for the very definition of America itself, rooted very differently in the feminine, in immigration, in true cultural heritage, even transforming religion and politics.

Through her choices and actions Audrey was doing the transforming, and quite literally doing it by also reclaiming Willa Cather's works and expressing her own radiant spirit through her intuition and determination to set everything as right as she could.

How did this come to me? I was born to it. It came from the cosmos, the Spirit World, the Eternal, of which we are the wild artistic expression of life. And it happened in perfect, cosmic, identifiable order. From every angle you look at it, it all points to the actual play of the eternal in knowable evidence.

In the August 1912 McClure's Magazine (of which Willa was an editor) is Willa's wildly important feminine and immigrant story "The Bohemian Girl" of Clara Vavrika, the actual forerunner of Audrey's Holly Golightly,

who also comes from Willa's story "Coming, Aphrodite!" (1920) set in Greenwich Village, NYC, "on the top floor of an old house on the south side of Washington Square."

In "Coming, Aphrodite!" Eden Bower moves into the building where Don Hedger lives with his dog, Caesar III.

In the story, Greenwich Village is a cultural Garden of Eden, the story also known as "Coming, Eden Bower!"

Audrey knew this. It is likely that she knew the problem from the early moments of arriving in New York City and her friendship with the iconic photographer Richard Avedon, a colleague of Truman Capote's who had been published at Harper's Bazaar.

It was an on-going hidden darkness over decades, shadowing Willa Cather's work and following Audrey's every step. Most especially with the height and beauty of her fame, Audrey could not speak out and entangle with the ugliness that would ensue from the "victimized" battered ego with predictable forceful press sensationalism. That kind of "voice" isn't the most powerful one.

Willa Cather's stories and characters stand shoulders above in depth and breadth and effect resonating far beyond the limited self-aggrandizement and abuse, which is a mental obstacle to ultimate freedom of the spirit. Her treatment of romance is masterfully significant, opening culture in wild realizations and deeply reverberating answers.

Eden Bower is an opera singer before her international career. Don Hedger is an important painter. In this moment in this Garden of Eden their failure to recognize the Beingness of the other leaves them with their art, but without the realness of recognition to which art itself points. Which means that it points to that it goes further.

In Audrey's realness she is able to recognize that her role is bigger than just accepting the accolades of being a "star." It can be seen in her actions that what is more important to her is that the ramifications are much larger than cinema, the effects broader into life itself. With her wonderful high intelligence, wit, humor and light-heartedness she could bring back the focus from lies and press to the effects of the eternal literature that alters culture for the best for everyone--for all of life.

These are things that cannot be said, but lived, created, masterfully above and beyond and out of the hands of narcissistic control, and in ultimate taking care. Powerful art and actions are legends itself--gently flowing past the dark impediments that seem to be looming and forceful but are actually made of fear of nothingness (when all is actually sacred) and a willingness, even a malignant desire to hurt others because of that inner feeling of emptiness and desperation. [ . . . ]

Read Full Transcript

Breakfast at Tiffany's was originally written by Willa Cather and set in Greenwich Village in the real heartbeat of art and culture.

Truman's narrative about himself wasn't reality, it was coercion.

Pure art is not coercion.

It alters culture from its view of the deep roots of insight, whether it can be said openly or not without "outrage."

Audrey Hepburn, without conflict with Truman (but still arousing his constant state of contempt), is the actual breakthrough essence of clarity--on purpose.

This is why the obfuscation has to be broken.

The divine trickster is in the neighborhood.

These are things that cannot be said, but lived, created, masterfully above and beyond and out of the hands of narcissistic control, and in ultimate taking care. Powerful art and actions are legends itself--gently flowing past the dark impediments that seem to be looming and forceful but are actually made of fear of nothingness (when all is actually sacred) and a willingness, even a malignant desire to hurt others because of that inner feeling of emptiness and desperation. [ . . . ]

A Literary Master Class in Willa Cather’s Utterly Shocking American Vision for the Feminine Blowing Past the Structure of the American Canon and Prophetically Coming True in this Moment, Taylor Swift, Truman Capote, John Mayer’s Long Road Home, and the Ultimate Trick Audrey Hepburn was Playing, along with the Cosmic Trickster on this Jupiter Uranus Conjunction 21 April 2024 21˚49 Taurus in a Greenwich Village Époque